Three performers of similar bass instruments negotiate a number of structural and textural proposals posed in the score. Having defined common departure points and margins to manoeuvre within, each performer individually follows a trajectory where sequential text instructions are realised within open time units. A number of synchronisation points between the performers are defined. Included in the score are numerous traversals for each performer between two chosen positions, 'near' and 'far', actively exploring distance and proximity as components of their performance. Freely progressing through their individual paths, they produce both an emerging and structural development of sound, space and tactics between the three of them.