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re s e arc h

At research level, Tellinga is committed to contributing to the imagining of an integrative concept of musicality drawing in different practical and discursive perspectives, capable of connecting with the generic space of contemporary practice and interface an unfixed phenomenological and conceptual field beyond the audible and the concert stage. To this end, his speculative practice reinterprets music's allography and its unique thickness of time into propositional object-specific instances of performative installation across an evolving mediality, aiming to prompt engagement with the fundamental ideas of composition and the very notion of a musical situation.


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